The performance unfolded over twenty-four hours in three phases: work, rest, and collaboration. The performance became a state of becoming—a zen-like movement, a way of navigating and being present in the world. Not a destination, but a practice in attention. Disconnected from the outside world, phone-less, enclosed within the limits of an isolated space, it sought a state of presence. To me, Blutone embodies zero: a point of balance—colder below, warmer above—a liminal condition suspended between extremes. It is precisely this in-between space I aim to inhabit through performance.